Vorarlberg understood the assignment. And then quietly overdelivered.
This corner of Austria plays a different game. It’s not loud. It doesn’t chase attention. It simply exists at a very high level and lets everyone else catch up. Design is baked into daily life, mountains feel styled rather than wild and even the villages look like they’ve been through a very tasteful editing process. Nothing is cluttered. Nothing feels random. Vorarlberg is what happens when nature, architecture and logistics all agree to behave.
The fun part? It switches gears without warning. Roads curve perfectly. Viewpoints land exactly when you need them. Everything is close, but it never feels small. More like compact excellence. This is luxury without flash, confidence without volume and a region that knows it doesn’t need to prove anything. It’s the rare place where a morning can feel cerebral, an afternoon cinematic and an evening quietly iconic. No filler. No awkward transitions. Just good pacing and great taste.
To make sure nothing falls out of rhythm, we’ve put together a 4-day Vorarlberg itinerary that moves smoothly through the region, hits the high notes at the right time, and keeps things elevated from start to finish.

Small in size, big in attitude, Oberstadt opens the tour with quiet confidence. This is Bregenz before the lake views and contemporary art flexes, a hilltop enclave that prefers substance over spectacle and lets history do the talking.
Oberstadt traces its roots back to the Middle Ages, when this upper town functioned as Bregenz’s fortified heart. Thick stone walls, narrow cobbled streets and well-preserved façades reflect centuries of strategic importance tied to trade routes around Lake Constance. From here, the layering of history is obvious. Roman origins, medieval power plays, baroque touches are all compressed into a space that feels intimate rather than overwhelming. It’s heritage that feels lived-in, not staged.
From Oberstadt, it’s a 2 to 3 minute uphill walk through cobbled lanes that feel increasingly medieval with every step. This steady climb ends with one of the best views in Vorarlberg and a tower that has been quietly winning the skyline game since the 1600s.
Martinsturm is Bregenz’s oldest and most recognizable landmark, originally built as a granary and watchtower before being transformed into a baroque statement piece. Its onion dome is the tallest of its kind in Central Europe and serves as a visual mic drop above the old town. Inside, the tower tells layered stories. From medieval food storage to city defense to symbolic power, it reflects how Bregenz evolved from a fortified settlement into a cultured lakeside capital. The climb to the top rewards patience with sweeping views over Lake Constance, the Rhine Valley and the Alps. It’s history with a payoff.
Pfänderbahn is where the city lets go and the Alps take over and it is just a 10-minute downhill walk from Martinsturm.
Operating since 1927, Pfänderbahn has long been Bregenz’s most effortless elevation gain. The cable car climbs to nearly 1,064 meters above sea level in just a few minutes, turning the city into a miniature below. From the summit, the view stretches across Lake Constance and into three countries without asking for effort. Historically, Mount Pfänder served as a lookout point for the region. Today, it plays a different role. It delivers perspective. The kind that instantly explains why this corner of Austria feels so composed.
The ride itself is smooth and modern, with large panoramic cabins designed for visibility rather than thrills. At the top, well-maintained walking paths guide visitors to multiple viewpoints, each framing the lake and surrounding Alpine foothills from a slightly different angle.
Once back at ground level from the Pfänderbahn, stay close to the lake and let the route do the work. In about five minutes, the promenade naturally pulls toward Bregenz’s cultural quarter, where the Festspielhaus anchors the shoreline.
The Festspielhaus Bregenz is the city’s main stage for large-scale performances, concerts and international productions. It was designed to handle serious acoustics and serious ambition, especially during the world-famous Bregenzer Festspiele. Clean lines and expansive interiors reflect Vorarlberg’s design-led identity, while the building’s scale signals its role as a cultural heavyweight. This is where the city shifts from scenic to cerebral without losing its edge.
If you want to make the most out of your visit, you can join guided tours of the Festspielhaus run from September to May, Monday to Friday between 9 am and 4 pm, while festival guided tours take over during the summer months. When conditions allow, the experience includes views of the world’s largest lake stage. Tours typically last 50 to 60 minutes and are designed for curated group sizes, keeping the experience focused and informative.
After leaving the Festspielhaus, there’s no need to overthink the route. Cross the nearby street, head inland, and let the lake slip behind. In roughly three minutes, the surroundings tighten up and the architecture sharpens. That’s when Kunsthaus Bregenz comes into view.
Kunsthaus Bregenz didn’t arrive quietly, even though it looks like it could. Designed by Peter Zumthor, the building is deliberately restrained and that’s exactly the point. Its glass facade is not decorative. It acts like a filter, pulling in daylight from Lake Constance and diffusing it throughout the interior so the space subtly shifts from morning to afternoon to evening. The building never looks the same twice. Light becomes part of the exhibition, setting the mood without ever stealing attention from the work itself.
This museum is known for its commitment to monographic exhibitions, meaning each show is dedicated to a single artist at a time. That curatorial choice is intentional and slightly radical. No visual noise. No competing narratives. The focus stays locked in, allowing visitors to engage deeply rather than skim. Internationally renowned artists are often given full control of how their work occupies the space, turning the building into a collaborative canvas rather than a neutral container.
From Kunsthaus Bregenz, head south along the main street and keep walking past the clean-lined storefronts. In about two minutes on foot, the mood shifts from gallery-quiet to city-hum and GWL – Kaufhaus & mehr slides neatly into view.
GWL opened in 2012 as a modern urban shopping center designed to blend into the city rather than overpower it. The name says it all. Kaufhaus and more. It was built to serve as Bregenz’s central retail hub, bringing together international brands and regional labels under one roof.
The shopping mix leans clean and current. Expect international fashion brands such as ZARA and Esprit, alongside sports and lifestyle names like INTERSPORT. Beauty and essentials are covered with stores such as dm drogerie markt and Douglas. There are also regional boutiques and concept-style shops that reflect Vorarlberg’s understated approach to style. Clean lines. Quality fabrics. Nothing shouty.
In about four minutes, the city thins out and the lake takes over. That’s where Seepromenade mit Hafenmole begins and the evening officially slows the pace.
The Seepromenade has long been Bregenz’s front row seat to Lake Constance. Designed as a public lakeside space rather than a formal park, it reflects the city’s relationship with the water. Open, accessible, quietly confident. The Hafenmole, or harbor pier, extends into the lake and has historically served as a docking point and lookout, linking Bregenz to regional boat traffic across the lake. Today, it functions more as a social and visual anchor.
A three-minute walk will take you to a structure floating just offshore. This is Seebühne, Bregenz’s most theatrical mic drop.
The Seebühne is the world’s largest floating stage and yes, it fully owns that title. Built as part of the Bregenz Festival, this open-air stage has transformed Lake Constance into a performance space since the mid-20th century. Productions here are famously ambitious, with monumental sets rising directly from the water and shifting from season to season. Opera is the anchor, but the scale is what makes it legendary.
During the festival season, the Seebühne becomes the centerpiece of the city’s cultural calendar. Even outside performance times, the area is accessible for viewing and guided visits. Official guided tours offered during festival periods provide behind-the-scenes access to the stage structure, technical systems and production concepts.
For a more elevated experience, evening is non-negotiable. This is when the stage aligns perfectly with the light, the lake and the atmosphere of anticipation. Standing along the promenade or near the viewing areas as the sun drops adds a cinematic close to the day, even without a performance underway.

From Bregenz, the route heads inland and upward. The drive into the Bregenzerwald takes about 45 minutes, trading lake views for rolling hills and wooden architecture that feels instantly different.
Schwarzenberg is one of the best-preserved villages in the Bregenzerwald and it wears its history lightly but confidently. The village developed around traditional alpine farming and craftsmanship, which explains the signature wooden houses that line the center. Many date back centuries and follow strict architectural codes that prioritize proportion, function and harmony with the landscape.
Leaving the village center, continue along the same main street without changing direction. After a 3-minute walk, the Angelika Kauffmann Museum appears inside a traditional Bregenzerwald wooden house.
The museum is dedicated to Angelika Kauffmann, one of the most influential artists of the 18th century and a rare female figure to achieve international recognition during the Enlightenment. Raised in Schwarzenberg, she went on to become a founding member of the Royal Academy in London, building a career that spanned Europe’s major cultural centers. Housing the museum in the historic Kleberhaus anchors her global success back to the village that shaped her early years, creating a strong sense of continuity between place and legacy.
You move at your own pace as the visits here are often self-guided. From May to October, temporary exhibitions rotate through the museum, giving each season a fresh curatorial angle. These shows unpack Kauffmann’s works and the intellectual climate of her time through a mix of original pieces, reproductions and contextual displays. If you want more structure, public guided tours on Tuesdays and Sundays add clear and engaging commentary.
A 10-minute drive through rolling countryside before the landscape opens up and Andelsbuch comes into view.
Andelsbuch is known for balancing tradition with forward-thinking design, which makes it one of the most quietly influential villages in the Bregenzerwald. Historically rooted in agriculture and craftsmanship, the village has evolved into a showcase for contemporary alpine living without losing its footing.
There are no rigid touring structures here, and that works in your favor. Local walking routes highlight modern architecture, village landmarks and views across the Bregenzerwald valley. Some guided architectural walks are offered seasonally through regional tourism offices, focusing on how Andelsbuch became a reference point for modern Alpine design.
Leaving Andelsbuch doesn’t feel like leaving at all. You stay on course, follow the same road, and before the village even fades from view, two minutes by car or about ten minutes on foot is all it takes. Then it’s there.
The glass-and-wood structure of Werkraum Bregenzerwald settles into the landscape like it belongs. Werkraum Bregenzerwald opened in 2013 as a collective showcase for the region’s master craftspeople, bringing together carpenters, joiners, metalworkers, textile makers and designers under one roof. The concept is simple but powerful. This is where traditional craftsmanship meets contemporary design, not as nostalgia but as a living practice. Designed by architect Peter Zumthor, the building itself plays along. And inside, exhibitions rotate regularly, highlighting the work of local workshops and designers. You move freely through the space, encountering furniture, objects and installations that are meant to be touched, understood, and used, not just admired from a distance.
You explore the space largely at your own pace, moving through rotating exhibitions that highlight both contemporary pieces and the stories behind them. If you want a deeper context, guided tours are available and worth timing right. Public guided tours take place on Wednesdays at 11 am and Thursdays at 4 pm, focusing on the current exhibition as well as the architecture of the Werkraum Haus. But keep in mind that public tours are typically conducted in German.
After about a 10-minute drive, the surroundings soften and the village center of Bezau comes into view. This is one of Bregenzerwald’s social and cultural anchors.
Historically shaped by agriculture, trade, and craftsmanship, the village developed as a meeting point for the surrounding communities. Today, it balances that heritage with a modern sensibility that feels relaxed rather than curated. Traditional wooden houses sit comfortably alongside contemporary structures, reflecting the region’s steady evolution instead of a sharp reinvention. This is a village made for wandering. You explore Bezau best on foot, letting the streets guide you past public spaces, local landmarks and open views toward the surrounding hills.
After about a 15-minute drive, the landscape opens and the silhouette appears. Broad, unmistakable and quietly dominant. This is Kanisfluh, and it knows how to close a day properly.
Kanisfluh is one of the most recognizable mountain formations in the Bregenzerwald, not because it tries to impress, but because it doesn’t have to. Rising above the villages of Mellau and Schnepfau, its wide limestone face has long served as a visual compass for the region. Historically, the mountain shaped farming rhythms, grazing patterns and local folklore, anchoring daily life long before it became a scenic icon. Unlike sharp alpine peaks, Kanisfluh feels grounded and expansive. Solid. Familiar. Almost protective in the way it watches over the valley.
Arriving in the early evening lets the mountain take on warmer tones as shadows stretch across the valley. You’re left with scale, silence, and perspective. Kanisfluh doesn’t close the day with drama. It closes it with certainty.

Start the morning in Bludenz, the unofficial gateway between Vorarlberg’s valleys and the high Alps. This is where urban rhythm meets mountain logic and it’s the right place to ease into a day that only gets higher from here.
Bludenz’s Old Town is compact, walkable and quietly historic. Medieval lanes wrap around pastel-colored buildings, arcaded walkways and remnants of old fortifications that hint at its former role as a strategic trading post. The town’s layout still reflects its past as a crossroads between the Montafon, Klostertal and Walgau valleys. It feels lived-in rather than preserved, which makes wandering feel natural instead of staged. This is Alpine heritage with daily life still very much in session.
Bludenz works as a morning anchor because it sets context. You get history, scale and geography all at once.
Head toward Bürs and within a 5-minute drive or about a 20-minute walk, the streets give way to rock walls and rushing water. That’s where Bürserschlucht takes over and resets the pace for the morning.
Bürserschlucht is a narrow alpine gorge carved over thousands of years by fast-moving water cutting through limestone. Historically, it served as a natural boundary and a working landscape tied to mills and local industry. Today, it stands as one of the region’s most accessible nature experiences, balancing raw geology with carefully integrated walkways. Wooden bridges and secured paths guide you through steep rock faces, small waterfalls and shaded passages, making the terrain dramatic without feeling extreme. It’s nature doing the most with very little noise.
Leaving Bürserschlucht, the route pivots cleanly back into valley mode. Follow the road south toward the Montafon and after about a 30-minute drive, the landscape opens and the center of Schruns comes into focus.
Silvretta-Center plays a practical but important role in the Montafon Valley. Built as a modern village hub rather than a flashy mall, it reflects how this region approaches everyday life. Functional. Well organized. Grounded in local needs. Its location in Schruns makes it a natural meeting point, historically tied to the town’s role as the cultural and commercial heart of the valley. Today it hosts a mix of shops, cafés, and local services for residents and visitors.
Water, mountains and a pause that actually hits. From Silvretta-Center in Schruns, stay within the valley and follow the road toward Tschagguns. In about a 5-minute drive, the setting opens up and you will spot Staubecken Latschau.
Staubecken Latschau is a reservoir built to support hydroelectric power in the Montafon Valley, but it has long outgrown its purely functional role. Framed by steep mountain slopes and forested ridgelines, it sits at the threshold between village life and higher alpine terrain. Historically tied to the region’s energy infrastructure, the reservoir reflects how the Montafon has always worked with its landscape rather than against it. Today, it feels more like a natural mirror than an industrial structure, quietly anchoring the valley with scale and stillness.
Stay on the Silvretta High Alpine Road and climb for about one hour, watching the scenery level up with every switchback. Signal bars disappear but the camera roll stays busy. Then you hit Bielerhöhe Pass at 2,032 meters above sea level and suddenly the feed needs a moment to catch up.
Bielerhöhe sits right in the middle of the Silvretta High Alps and has always been about connection. Long before it became a bucket-list drive, this high mountain pass linked regions and later supported the massive hydroelectric projects that shaped the area. The surrounding reservoirs and open ridgelines give the place its signature look.
This is where you post less and save more. One wide-angle photo. One quiet moment.
Once Bielerhöhe has had its moment, the road naturally pulls you downhill. Follow the Silvretta High Alpine Road as it eases toward Gaschurn and within roughly 15 minutes, the landscape relaxes.
Vermuntsee belongs to the early Silvretta hydroelectric network, built in the first half of the 20th century to channel alpine water into power. What began as infrastructure now reads like design. Set high in the mountains and framed by open slopes, the reservoir has become a visual anchor in the region, reflecting the surrounding peaks with a kind of effortless symmetry. It carries history without heaviness, balancing engineering with an almost meditative calm. There’s no tour timetable to follow here and that’s intentional. Vermuntsee is experienced independently, through short walks along the shoreline and natural viewpoints that invite stopping rather than marching on.
As Vermuntsee fades into the evening, stay on the valley road and let the drive unwind naturally. In about 10 minutes, the road levels out, lights begin to appear and Partenen comes into view. No buildup. No final push. Just a clear signal that the day has reached its endpoint.
Partenen sits at the southern edge of the Montafon Valley and has long played the role of a threshold village. Historically, it marked the transition between high-alpine routes and valley life, shaped by transport links and later by the Silvretta hydroelectric projects. That legacy gives the village a grounded, functional character. Surrounded by steep slopes and alpine scale, Partenen feels composed rather than curated. It’s a place built around purpose, not performance.
Ending the day in Partenen is a deliberate choice. Evening brings stillness, softer light and a sense of closure after a full day of altitude, scenery and movement.

Start the morning gently by following the Lech River as it threads through the village. This section of the Lechweg is flat, walkable and quietly scenic, offering a slower entry into the day before elevation takes over. The river here is still young and clear, moving calmly between grassy banks and wooden bridges.
This walk works because it grounds you. You’re surrounded by alpine scale, but the pace stays human. It’s a reminder that Lech isn’t only about height. It’s about proportion.
Less sky, more moment.
From the village, a short uphill transfer pulls you away from movement and into something deliberately quieter. Created by light artist James Turrell, the installation is built to slow you down without asking permission. You enter a simple chamber, take a seat and look up through an opening in the ceiling.
Access is intentionally limited, which means you get a calmer, more focused experience. Visits follow specific opening hours (often around sunrise/sunset) and guided sessions can be booked. That’s when you watch the sky shift through multiple tones in one sitting. The structure stays quiet on purpose, so you can let the experience do the talking.
Return toward the village center and follow the gentle pull uphill. Within minutes, the base station of Rüfikopf Seilbahn takes over the scene.
Rüfikopf has always been about perspective. The cable car lifts you from Lech straight up to one of the Arlberg’s most commanding viewpoints, opening the landscape in a single, confident move. As you rise, the village shrinks, the peaks spread out and the scale of the Arlberg massif becomes unmistakable. From the top, views stretch across rugged ridgelines toward Zürs, St. Anton and deep alpine valleys that look carved rather than built. This is classic high-alpine terrain, broad and powerful rather than sharp and chaotic.
The transition from Lech to Zürs takes about ten minutes, but the mood shift is immediate. Roads narrow, movement slows and Zürs appears with no buildup and no need for one.
The volume drops here. On purpose. Zürs has always operated on a different frequency. High in the Arlberg and shaped by altitude and snow, it developed as a small alpine settlement long before prestige entered the conversation. What you will be seeing here is intentional. Compact streets, traditional alpine structures and a layout that feels turned inward rather than on display. History here isn’t curated or framed. It’s part of the setting, absorbed into daily rhythm.
From the center of Zürs, it’s a smooth 5-minute drive or a steady uphill walk that feels intentional rather than demanding. The road pulls slightly away from the village and then relaxes. That’s the cue. Zürsersee appears without drama.
Zürsersee was shaped by alpine geography and seasonal rhythms long before it became a scenic pause on the Arlberg route. The lake sits high above the village, framed by open slopes and wide mountain faces that keep the space feeling expansive rather than enclosed. In winter, this area moves fast. Skis cut across terrain and lifts stay busy. Outside that season, the lake shifts tone completely. Water stays still. Reflections sharpen. Peaks double themselves across the surface. It feels less like a destination and more like a punctuation mark. Short, deliberate, perfectly placed.
From Zürs, stay on the Flexenstraße and continue climbing. The drive takes about 10 minutes, but the shift happens sooner than expected.
Flexenpass has been shaping movement through the Arlberg for centuries. Long before ski lifts and alpine hotels entered the picture, this high mountain crossing served as a vital link between valleys, enabling trade, seasonal migration and communication across difficult terrain. The modern road respects that legacy without turning it into a spectacle. Tunnels are carved directly into the mountain, curves follow the natural contours and elevation changes feel engineered with intention rather than bravado. This is infrastructure that understands restraint.
There is no formal visitor center or fixed sightseeing circuit at Flexenpass and that is exactly why it works. Most visitors experience it as part of a scenic drive between Zürs and Lech or as a pause along longer alpine routes.
Stay on the mountain road, let the curves guide you and within minutes, the landscape opens up and the elevation feels ceremonial. This is the Arlberg Pass, and yes, this is where the tour is meant to end.
The Arlberg Pass has always been more than a crossing. For centuries, it functioned as a vital link between regions, shaping trade, travel and alpine life long before ski culture entered the picture. Sitting high between valleys, the pass carries a sense of transition built into its geography. This is a place defined by movement and connection, where history isn’t marked by monuments but by the steady flow of people, ideas and routes through the mountains.
The Arlberg Pass doesn’t close the itinerary with a spectacle. It closes it with perspective, reminding you that the best journeys don’t need fireworks at the end. They just need the right place to pause.
Vorarlberg rewards curiosity. Once the headline spots are checked off, this is where the region really shows range. Design, nature, water, altitude and quiet flexes that don’t need explaining. These are places you go when you’re done rushing and ready to let the region surprise you a little.
Vorarlberg does family travel differently. It doesn’t overwhelm kids with noise or exhaust parents with logistics. Instead, it offers places that mix movement, learning, nature and just enough wow factor to keep everyone engaged. These are spots where curiosity is rewarded, energy gets burned in the right way and the experience still feels thoughtfully designed rather than purely playful.
Vorarlberg’s position does something subtle but powerful to your itinerary. Step just beyond the region and the landscape, language, and cultural tone begin to shift almost immediately. These day trips don’t feel like extensions or add-ons. They feel like natural continuations, places that sit close enough to move through comfortably yet distinct enough to reset your perspective. Each destination below adds contrast and texture.
Golf in Vorarlberg isn’t about manicured fairways tucked behind fences. It’s about courses that read the landscape, turning elevation changes, mountain horizons and alpine air into playability rather than backdrop. These courses reward thoughtful shots and strategic thinking. And yes, stunning visuals without distracting from the game itself. Below is a list of standout golf courses in the region, each with its own character.
Vorarlberg approaches horses the same way it approaches architecture and landscape. With restraint, respect and purpose. Instead of racecourses, the region focuses on riding culture, training facilities and seasonal equestrian traditions tied to alpine life. These places offer proximity, authenticity and craft rather than spectacle.
Vorarlberg doesn’t overexplain its skiing. It lets the mountains handle it. Ski areas here are built for strong runs and strong visuals. Wide groomers, clean lift lines and views that look just as good on camera as they feel under your skis. You’re not choosing between performance and aesthetics here. You get both. Luxury shows up quietly. Smooth logistics, reliable snow and slopes that stay photogenic from first lift to last run.
Vorarlberg’s Michelin scene doesn’t try to be loud. It’s precise, confident, and deeply rooted in place. What stands out is not just technique, but how naturally alpine ingredients, regional traditions and modern ideas come together. These kitchens cook with intent. You feel it in the pacing, the clarity of flavors and the way each meal reflects where you are rather than chasing trends elsewhere.
Dining in Vorarlberg feels refreshingly unforced. Restaurants here don’t chase trends or overexplain what’s on the plate. Instead, they lean into clarity, comfort and confidence. You move from lakeside seafood spots to quietly expressive kitchens, from social tables built for sharing to intimate rooms where tradition still holds weight. These restaurants reflect how Vorarlberg eats day to day.
Nights here are shaped by atmosphere, sound, and spaces that feel intentional rather than overproduced. You won’t find copy-paste clubs or nightlife that tries too hard to impress. Instead, you move between rooms that know exactly what they are. A bar where music actually matters. A cocktail space where design sets the pace. A venue where live performances pull people together without forcing the moment. If you like nights that unfold naturally and leave room for conversation, these are the places that get it right.
Coffee in Vorarlberg isn’t treated as a background habit. You notice it in how people linger at tables, how conversations stretch past the last sip, and how cafes are designed for staying rather than passing through. Some spaces lean social and energetic, others are calm and introspective, but all of them understand that a good café does more than serve coffee. They’re spread across Bregenz, Dornbirn and Feldkirch, each reflecting its neighborhood in subtle ways. One might draw you in with a view, another with the smell of freshly roasted beans, another with the feeling that you’re welcome to stay as long as you need.
This is Vorarlberg, unfiltered and fully switched on.
Late summer sliding into early autumn is when the region locks into its best rhythm. The mountains stay open and inviting, the lakes keep their warmth and the air sharpens just enough to make everything feel clearer. Greens deepen across the Bregenzerwald, villages like Schwarzenberg and Andelsbuch glow warmer, and the landscape feels composed rather than busy. Nothing is fighting for attention. Everything knows its place.
Days stretch comfortably, giving you space to move without watching the clock. Mornings arrive softly along Lake Constance in Bregenz and Lochau, where the water stays calm and reflective. By afternoon, alpine roads and cable cars are fully in play. Pfänder, Rüfikopf, and Montafon viewpoints stay accessible, while walking routes through old towns like Feldkirch and Bludenz connect culture and scenery without friction. Evenings slow down properly. Lake Constance turns glassy, mountain silhouettes sharpen and sunset lingers.
This window works because the region is operating at full confidence. Museums, design spaces and historic centers are open. Cafés spill into streets. Restaurants settle into their stride. You’re not negotiating peak-season chaos or shoulder-season shutdowns. You’re moving through a place that feels settled, functional, and quietly generous with its time.
Late summer into early autumn is Vorarlberg in its best form. Calm. Confident. Fully open. No rush, no trade-offs, no noise.
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